luogo di nascita tempo Macchiato di sangue jean marie straub and danièle huillet me stessa Degno di nota Citare
Introduction: Communist Utopians: The Films of Jean-Marie Straub and Danièle Huillet – Senses of Cinema
Jean-Marie Straub, Uncompromising Filmmaker, Is Dead at 89 - The New York Times
Jean-Marie Straub, morto il regista artigiano del cinema con la moglie Danièle Huillet - la Repubblica
Jean-Marie Straub's "Status of the New Filmmaker" on Notebook | MUBI
Jean-Marie Straub and Danièle Huillet – Senses of Cinema
Two Interviews with Jean-Marie Straub and Danièle Huillet (1976 and 1984) – Senses of Cinema
Once It Was Fire: Introduction to a Straub-Huillet Retrospective (1982) | Jonathan Rosenbaum
No Appeasement: Jean-Marie Straub and Danièle Huillet: Writings by Sally Shafto (ed.), and Jean-Marie Straub & Danièle Huillet by Ted Fendt (ed.) – Senses of Cinema
A CINEMA OF RESISTANCE: THE FILMS OF JEAN-MARIE STRAUB AND DANIÈLE HUILLET - Artforum International
A Straub-Huillet Companion: "Not Reconciled, Or Only Violence Helps Where Violence Rules" on Notebook | MUBI
VERTIGO | We do everything for this art, but this art isn't everything
The Straub-Huillet Collection - Grasshopper Film
Straub, Jean-Marie & Huillet, Danièle – Senses of Cinema
Exclusif : Le Centre Pompidou acquiert deux films de Jean-Marie Straub et Danièle Huillet - Le Quotidien de l'Art
Filmmuseum - Program SD
Jean-Marie Straub Dead: Director, Danièle Huillet's Partner Was 89 - Variety
Jean-Marie Straub et Danièle Huillet au Festival del film Locarno (1984) - Olivier Père
Entretien avec Danièle Huillet et Jean-Marie Straub - Dérives autour du cinéma
Sick of Popcorn Movies? Straub-Huillet Retrospective Offers an Antidote - The New York Times
Tell it to the Stones. The Work of Danièle Huillet and Jean-Marie Straub | KIT
A Starkly Beautiful Film About Bach, Through the Lens of His Wife's Diary
Jean-Marie Straub and Danièle Huillet | MoMA
We make our films so that audiences can walk out of them' | Frieze
The Stubborn, Enduring Vision of Jean-Marie Straub | The New Yorker